Introduction to Ableton Live 12

Learn how to navigate Ableton Live 12, record and manipulate audio and MIDI, and explore advanced production techniques.

InstructorRishabh Rajan
Total Length2h 53m

About Course

This Ableton Live 12 course gives you a hands-on path from first loop to final mix, so you can turn ideas into release-ready tracks with clarity and confidence. You will learn how to move fluidly between Session and Arrangement views, organize your workflow, and use MIDI and audio creatively to build songs that sound polished and intentional.

Developed by Sound Collective and led by producer-educator Rishabh Rajan, the course blends step-by-step demonstrations with practical producer thinking. You will explore Live 12’s streamlined interface and updated tools while building real skills in recording, editing, arranging, mixing, and creative automation. By the end, you will know how to navigate Live effectively, sketch ideas quickly, and finish tracks with a repeatable process.

From day one you will work inside Live 12’s core devices and creative features. You will practice clip-based composition, apply MIDI generation tools, shape samples with Simpler and Sampler, build instrument racks, and unlock new ideas with Max for Live. Each concept connects to musical outcomes, so you can make informed choices that serve your sound.

What You’ll Learn
  • A clear tour of Live 12’s interface, navigation, and preferences for a fast, frustration-free setup.
  • How clips, scenes, and patterns work in both Session and Arrangement views, and when to use each for composing and arranging.
  • Practical recording, editing, and mixing techniques that translate to finished tracks.
  • Creative MIDI workflows, including Live 12’s MIDI generators for melody, rhythm, and harmony ideas.
  • Sampling strategies with Simpler, sound design with instrument racks, and ways to expand your setup with Max for Live.
  • Automation, key mapping, and export settings for sharing your music with the world.
Meet Your Instructor

Rishabh Rajan is an Ableton Certified Trainer and a professor in Berklee College of Music’s Electronic Production & Design Department. He has authored dozens of courses on sound design, synthesis, and production, and brings deep experience as a sound designer and producer to every lesson. Expect clear explanations, musical examples, and a mentor who understands how to help you grow as a modern producer.

Is This Course for You?

If you are new to music production, this course meets you where you are and shows you exactly what to focus on to build momentum. If you are upgrading from an earlier version of Live or another DAW, you will map your existing knowledge to Live 12’s workflow and pick up faster methods for arrangement, editing, and sound design. Producers seeking a structured path to finish more music will appreciate the emphasis on creative decision making.

What’s Included
  • Step-by-step video lessons covering clips and patterns, MIDI generation, audio recording, editing, mixing, and arrangement
  • Walkthroughs for Simpler and Sampler, creative instrument racks, and practical Max for Live use
  • Actionable checklists and frameworks you can reuse to start, develop, and finish tracks
  • Ongoing access to revisit key concepts any time you need a refresher

Ready to level up your sound in Ableton Live 12? Start learning today and turn your ideas into complete tracks you are proud to share.

Course Content

  • Introduction to the Interface 11:00
  • Audio and MIDI Preferences 7:47
  • Understanding the Library 11:46
  • Working with Clips and Scenes 7:50
  • Creating Patterns from Scratch 10:35
  • In Depth Clip Controls 10:27
  • Using MIDI Generators 6:03
  • Advanced MIDI Generation 12:00
  • Audio Effects 7:58
  • Automation 8:58
  • MIDI & Key Mapping 6:22
  • Recording MIDI 9:49
  • Recording Audio 10:13
  • From Session to Arrangement 6:00
  • Basic Editing & Mixing 5:26
  • Mixing in Live 8:14
  • Sampling with Simpler 12:46
  • Instrument Racks 3:22
  • Exploring Max for Live 10:17
  • Exporting Properties 6:39

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