Producing Hard Techno with Conrad Taylor

Hard techno is one of the few genres that rewards you for taking risks. It does not take itself too seriously, it lets you experiment, and it lets you push things until they clip.

InstructorConrad Taylor
Total Length1h 36m

About Course

Hard techno is one of the few genres that rewards you for taking risks. It does not take itself too seriously, it lets you experiment, and it lets you push things until they clip. But behind that freedom sits a set of very deliberate decisions about kick selection, frequency space, tension, and arrangement, and those decisions are what separate a track that fills a room from one that sits flat. In this course, producer Conrad Taylor builds a complete hard techno track from an empty session to a finished demo, explaining every choice as he makes it.

The course follows a single track from start to finish. It opens with sound selection and the core elements of the drop, working through vocal processing, kick selection and transient design, drum programming, and fat synth stabs built in Serum 2. From there you move into the techniques that keep a hard techno track moving across its full runtime: writing variation with trance gates and call and response, building transitions out of layered risers and impacts, holding groove through a breakdown, and sidechaining in a way that lets both the kick and the synths punch through.

Midway through, the track changes direction. Conrad writes a melody, uses delay and reverb to open up the space around it, and shifts the arrangement toward a nineties rave style for the final section. That switch brings in a shorter kick and a proper bassline, and with it the kick and bass relationship that most hard techno mixes live or die on. The last stretch of the course covers connecting the buildup to the drop, extending the peak, EQ carving between competing elements, fills, ear candy, the outro, and the full master chain he uses to get a track loud enough to send to a label.

Almost everything is done with Ableton stock plugins, so you can follow along without buying anything. Where Conrad reaches for something else, he says what it is, what it costs, and what free alternative gets you close. The goal is not to recreate this one track. It is to understand why each move works, so you can make the same calls in your own sessions and produce hard techno you would actually want to play in your sets.

What You’ll Learn
  • Build a complete hard techno track from first sound to finished demo.
  • Select and process a kick, and design its transient with layering and Drum Buss.
  • Carve frequency space so the kick, bass, synths, and vocals never fight each other.
  • Process techno vocals with warp modes, pitch and formant shifting, compression, and de-essing.
  • Build fat synth stabs in Serum 2 and fatten them with saturation.
  • Create variation every eight bars using trance gates, call and response, and stereo movement.
  • Construct transitions with layered risers, impacts, and well-timed silence.
  • Sidechain correctly around a long-tailed kick without ducking your whole synth line.
  • Write melodic and rave-influenced sections that still hit as hard as the techno around them.
  • Lock in the kick and bass relationship with EQ, saturation, and sidechain.
  • Arrange tension and release across breakdowns, buildups, drops, fills, and the outro.
  • Finish and glue a track with a master chain that gets it loud without crushing it.
Meet Your Instructor

Conrad Taylor is a German-American producer and DJ helping define the sound of the new global techno movement. He came to the genre from a classically trained foundation in piano, and that background stays audible in his work: melodic and harmonic ideas sit inside tracks built on intensity and weight. He has also been one of the youngest elected officials in U.S. history, which is a fair indication of how early he got used to holding a room.

Known for a high-intensity, genre-fluid style, Conrad has headlined across the US and Europe and drawn wide attention through viral pop-up raves. His remix of Rosalía’s “Berghain” and his releases with Tomorrowland Music have put him on stages alongside Sara Landry, Armin van Buuren, Yellow Claw, and Bassjackers, with millions of streams across his catalogue. He is as comfortable in the studio as behind the decks, and in this course he works through both sides of that: the technical decisions that make a track sound right, and the arrangement instincts that make a dance floor move.

Is This Course for You?

This course is built for producers at a basic to intermediate level who already know their way around a DAW and want to make hard techno that actually competes on a club system. If you can put a loop together but your drops never land the way you hear them in other people’s tracks, this is a direct path to understanding why.

It is aimed primarily at Ableton users, since that is where the track is built and where nearly every plugin shown is stock. Producers on other DAWs can still follow the reasoning behind every decision, and the Serum 2 sound design translates anywhere, but the walkthroughs are demonstrated in Ableton. Serum is used for the synths, stabs, and bass, and the presets Conrad starts from are stock ones you can find and copy.

The techniques also reach past hard techno. Kick and bass separation, sidechain strategy, transition design, and master chain decisions apply across techno, house, rave, hardstyle, and most club-oriented electronic music. If you produce anything built around a loud kick and a dance floor, the frequency and arrangement thinking here transfers.

What’s Included
  • 20 lessons following one hard techno track from empty session to finished demo.
  • Full walkthroughs of vocal, kick, drum, synth, and bass processing chains, with settings shown on screen to copy.
  • Serum 2 sound design for stabs, leads, and bass, built from stock presets.
  • Arrangement techniques for variation, transitions, breakdowns, buildups, drops, and the outro.
  • A complete master chain breakdown, including gain and width automation, glue compression, and dual limiting.
  • Samples and project elements used in the track.
  • Practical guidance on when to reach for a paid plugin and when Ableton stock does the job.

Course Content

  • Creating Variation
  • Creating Transitions
  • How to Keep the Dancefloor Moving During the Breakdown
  • Sidechain
  • Making a Melody
  • Delay and Reverb
  • Bass
  • Connecting the Buildup and Drop
  • Extending the Drop
  • Stereo Width
  • EQ
  • Fills
  • Ear Candy
  • The Outro
  • Finishing a Song

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